interviews

Articles
Boards

Documentary Master Frederick Wiseman on How to Find Your Film in the Edit

4 years ago by Erik Luers

Erik Luers

'Waiting for the Miracle to Come': How Willie Nelson's Ranch Inspired a Dream of Love and Loss

4 years ago by Christopher Boone

Austin Film Festival

Austin Film Festival 2018

Waiting for the Miracle to Come

Christopher Boone

How ‘3100’ DP Shoots Doc Like Fiction: ‘Capture Images You’ve Never Seen Before’

4 years ago by Oakley Anderson-Moore

Oakley Anderson-Moore

'The Amaranth': How Pushy Octagenarians and Paul Thomas Anderson Inspired An Unsettling Tale

4 years ago by Christopher Boone

Austin Film Festival

Austin Film Festival 2018

Christopher Boone

How a Filmmaker Turned the Camera on Artists and Opulence in 'The Price of Everything'

4 years ago by Oakley Anderson-Moore

Nathaniel Kahn

My Architect

The Price of Everything

Oakley Anderson-Moore

'Little Women': How Letting Go of Traditional Coverage Can Be Liberating

4 years ago by Emily Buder

Emily Buder

'I Think We're Alone Now': Reed Morano on Learning to Direct From Being a DP

4 years ago by Emily Buder

Emily Buder

Marvel Scribe Nicole Perlman on Making Her Indie Debut 'Feel 10 Times the Budget'

4 years ago by Emily Buder

NYFF 2018

New York Film Festival 2018

interview

interviews

Emily Buder

'Clearly Journalism Wasn't Going to Work': Sacha Gervasi on 'My Dinner with Hervé'

4 years ago by Abbey Bender

Abbey Bender

Watch: This Award-Winning Short Shares a Secret Worth Telling

4 years ago by Jon Fusco

vimeo staff pick premieres

Jon Fusco

How Cinematographer Linus Sandgren Used Format to Change Visual Tone In ‘First Man’

4 years ago by Daron James

Daron James

The Space Suit Costume Design in 'First Man': A Closer Look

4 years ago by George Edelman

George Edelman

'A Successful Production Always Happens in Pre-Production': How Elite Climbing Cinematography Captured ‘Free Solo’

4 years ago by Oakley Anderson-Moore

Oakley Anderson-Moore

'Long Day's Journey into Night': Bi Gan on Teaching Yourself to Make a Film

4 years ago by Jon Fusco

bi gan

NYFF

NYFF 2018

New York Film Festival 2018

directing

interview

interviews

Jon Fusco

Crossing a Vintage Porn Style with Giallo Aesthetics: Yann Gonzalez on 'Knife + Heart'

4 years ago by Monica Castillo

Monica Castillo

'Beautiful Boy' Director Felix Van Groeningen on Finding the Emotional Logic of Your Movie

4 years ago by Jon Fusco

Jon Fusco

How to Make a Documentary About a Subject You're Close To: Steve Loveridge on 'Matangi / Maya / M.I.A.'

4 years ago by Erik Luers

sundance film festival 2018

sundance 2018

Erik Luers

Bringing a Dark Fairytale to Life without a Budget: Guilhad Emilio Schenker on 'Madam Yankelova's Fine Literature Club'

4 years ago by Monica Castillo

Fantastic Fest 2018

Guilhad Emilio Schenker

directing

interview

interviews

Monica Castillo

Do Movies Give Us Unrealistic Expectations of Love? Ann Lupo's ‘In Reality’ Investigates

4 years ago by Oakley Anderson-Moore

In reality

Ann Lupo

Los Angeles Film Festival

fantasy

interview

interviews

Oakley Anderson-Moore

'If You Write A First Draft Slowly, I Think You Can Overthink Yourself': 'The Song of Sway Lake" Director Ari Gold on Finding Your Story

4 years ago by Max Winter

ari gold

the song of sway lake

Max Winter

Watch: 'My Dead Dad's Porno Tapes' is One of the Best Documentary Shorts of the Year

4 years ago by Jon Fusco

vimeo

vimeo staff pick premieres

short film

interview

interviews

Jon Fusco

Collaborating as Siblings: How the Visuals & Sounds of Genre-Pushing ‘306 Hollywood’ Were Made

4 years ago by Oakley Anderson-Moore

Oakley Anderson-Moore

5 Tips from Director Liu Jie on Exceeding as a Filmmaker

4 years ago by Dylan Kai Dempsey

Liu Jie

directing

baby

Toronto International Film...

TIFF 2018

interview

interviews

Dylan Kai Dempsey

'A Paris Education': Jean-Paul Civeyrac Reveals the Fatal Flaws of Film Students

4 years ago by Emily Buder

Emily Buder

Filled with Self-Doubt? Only You Know The Film You Want to Make: David Lowery on 'The Old Man & the Gun'

4 years ago by Oakley Anderson-Moore

The Old Man and the Gun

super 16mm film

interview

interviews

Oakley Anderson-Moore

From Short to Feature (and a Sustainable Career): Director Reinaldo Marcus Green on 'Monsters and Men'

4 years ago by Erik Luers

reinaldo marcus green

Erik Luers

'If You Don't Cut, You're Just Being Lazy': 'White Rabbit' Star Vivian Bang on How to Cut Down Your Feature

4 years ago by Max Winter

Max Winter

'There Were So Many Times When It Didn't Seem Possible': 'Love, Gilda' Director on Seeing Your Documentary Through

4 years ago by Raafi Rivero

Raafi Rivero

'The Old Man & The Gun' Editor Lisa Zeno Churgin on the Keys to a Successful Director/Editor Relationship

4 years ago by Erik Luers

The Old Man and the Gun

Toronto International Film...

Erik Luers

No Film School Reader Wins TIFF Audience Award 2018 and Shares 5 Tips for Film Fundraising

4 years ago by Dylan Kai Dempsey

The Man Who Feels No Pain

Toronto International Film...

TIFF 2018

Dylan Kai Dempsey

Pages

Interviewing 101: On Camera

6 years ago by Soliman Productions

interviews

preproduction

Soliman Productions 252

Best LED Lighting (Reasonably Priced)?

7 years ago by Jeremiah Kuehne

Jeremiah Kuehne

Filmmaker

1004

Is the GH4 the best option for short interviews? Which lens?

7 years ago by Sophia Smoloka

gh4

interviews

Sophia Smoloka 194

Interviews for commercial videos - scripted or not?

8 years ago by Sophia Smoloka

interviews

interview technique

Sophia Smoloka 194

editing un-workable audio interviews

8 years ago by jonjames

audio editing

interviews

documentary editing

jonjames 74