No Film School

How the Dardenne Brothers Used an 'Overflowing' Camera to Tell the Story of a Radicalized Teen

3 years ago by Emily Buder

Emily Buder

4 Takeaways from Errol Morris on Making a Documentary About a Controversial Figure

4 years ago by Oakley Anderson-Moore

New York Film Festival 2018

Oakley Anderson-Moore

5 Tips on Being a Successful DP From Indie Icon Ed Lachman: 'Forget About Perfection'

4 years ago by Oakley Anderson-Moore

Oakley Anderson-Moore

'Long Day's Journey into Night': Bi Gan on Teaching Yourself to Make a Film

4 years ago by Jon Fusco

bi gan

NYFF

NYFF 2018

New York Film Festival 2018

directing

interview

interviews

Jon Fusco

Why 'Wonder Wheel' Put Kate Winslet Into Deep Emotional Turmoil

5 years ago by Sophia Harvey

Sophia Harvey

Why Richard Linklater Thinks You Won't Make It in the Film Industry

5 years ago by Jon Fusco

new york film festival 2017

Jon Fusco

Why Oscar-winning DP Vittorio Storaro Thinks the Film vs. Digital Debate is Bullshit

5 years ago by Liz Nord

Liz Nord

Two Cameras with Unprecedented Resolution & New York Film Fest Must-Sees [PODCAST]

5 years ago by Liz Nord

Liz Nord

'Call Me by Your Name': Luca Guadagnino on Finding a New Take on the World's Oldest Story

5 years ago by Liz Nord

Liz Nord

'Lady Bird': Greta Gerwig on Why a Screenwriter's Job is to Listen as Much as to Write

5 years ago by Sophia Harvey

lady bird

greta gerwig

new york film festival 2017

NYFF

nyff 2017

Sophia Harvey

Finding the 'One Miserable Tiny Spark' That Experimental Legend Lucrecia Martel Believes All Creativity Relies On

5 years ago by Sophia Harvey

zama

NYFF

nyff 2017

new york film festival 2017

lincoln center

lucrecia martel

experimental film

Sophia Harvey

'The Florida Project': Sean Baker on Why You Need to Invest in Yourself When No One Else Will

5 years ago by Jon Fusco

new york film festival 2017

Jon Fusco

'Anything Can Happen in This Movie': The Sheer Satirical Brilliance of 'The Square'

5 years ago by Jon Fusco

new york film festival 2017

Jon Fusco

New Wave Crash Course: Agnès Varda’s Personal Film School

5 years ago by Dylan Kai Dempsey

NYFF

new york film festival 2017

Dylan Kai Dempsey

Why Racial Representation in Film Goes Way Beyond Casting

5 years ago by Sophia Harvey

Sophia Harvey

How Noah Baumbach Builds Complex Characters Through Family Dysfunction in "The Meyerowitz Stories"

5 years ago by Jon Fusco

new york film festival 2017

Noah Baumbach

the meyerowitz stories

adam sandler

ben stiller

the squid and the whale

NYFF

nyff 2017

Jon Fusco

'Fire at Sea': How Gianfranco Rosi Made an Anti-Documentary

6 years ago by Liz Nord

Liz Nord

Ang Lee on 'Billy Lynn's Halftime Walk': Shooting 120 FPS was Like 'Making Love to Movies'

6 years ago by Emily Buder

Emily Buder

'Elle': Paul Verhoeven on Why You Have to Embrace and Fear Your Films at the Same Time

6 years ago by Dylan Kai Dempsey

Dylan Kai Dempsey

'Equate Being a Director with Being a Producer': 4 Indie Filmmakers Share Survival Secrets

6 years ago by Dylan Kai Dempsey

Dylan Kai Dempsey

What Are the Real Mechanics of Getting Words on the Page for Your Script?

6 years ago by Scout Tafoya

NYFF

nyff 2016

Jean-Christophe Castelli

mike mills

Rebecca Miller

Scout Tafoya

'A Quiet Passion': Terence Davies on Designing Shots with Music and Poetry

6 years ago by Scout Tafoya

Scout Tafoya

Jim Jarmusch's List of 5 Must-See Movies: 'I Don't Believe in Originality'

6 years ago by Liz Nord

NYFF

nyff 2016

jim jarmusch

Liz Nord

When a Movie Becomes a Movement: The Accidental Politics of 'Aquarius'

6 years ago by Jon Fusco

Jon Fusco

Can You Make a Magical Realist Documentary? 'The Cinema Travellers' Directors Think So

6 years ago by Liz Nord

the cinema travellers

magical realism

Liz Nord

Ava DuVernay on '13th': How Netflix Jumpstarted the Timeliest Doc of the Year

6 years ago by Liz Nord

Liz Nord

'The Rehearsal': Alison Maclean on What a Film Can Do That a Book Can't

6 years ago by Jon Fusco

Jon Fusco