Oakley Anderson-Moore
Writer
Director/Shooter/Editor
I'm a filmmaker. I generally subscribe to the DIY life, and I respect anybody trying to tell stories in their own original way. I’ve shot and edited over 2000 hours of vérité documentary footage. I like light gear that can fit into a backpack. I respect above all things experience, because nothing can replace what you learn from doing. That being said, don't doubt yourself for lack of practice behind the camera — life experience trumps all!
After seven+ years of work, my first feature length documentary "BRAVE NEW WILD“ came out this year on select platforms, and we're working on a TV premiere to come. Hooray! It’s the story of delinquent adventurers in Beat-Era America — from my point of view — having grown up the daughter of a rock climbing pioneer. The film was first chosen as one of ten projects in the 2012 IFP Independent Doc Lab and is currently finishing its festival run (where I won the "Emerging Artist" Award from the Festival Director at WHFF.)
I was born in a smallish town in beautiful Washington state, and then moved to a handful of big, big cities across the globe. I first discovered how much I liked watching movies after I moved to São Paulo, Brazil at age 9, and would go across the street to rent subtitled VHS tapes whenever I felt homesick.
I’m proud to be a writer for No Film School, and a member of such a thoughtful film community. I’m always looking to meet other filmmakers and future collaborators with the same spirit.
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The included audio handle on the FX3 does change this up a little. It has XLR/3.5mm inputs, but also actual physical dials for you to adjust the audio, which makes you less dependent on the screen and less headache to control. Of course, that doesn't change wanting to see the digital meters to monitor, and if I read it right, that's where you're most frustrated. I'll try and take a short video of the flipping range on the FX3 for comparison for ya.
Thanks Andrew.
Share me your Picture Profile settings wisdom! Especially if you have any recs in conjunction with S-Cinetone. Flying blind with over here.
Thanks, Gonzague! You bring up a good point, and you're not the only one for sure. I didn't mention in the article that the FX3 does shoot S35 when at FHD. Maybe it would be useful to shoot a test in that mode? Chainsaw shot comparison? But it would not be in 4K of course!
Glad to hear it resonates, Stu!
Some of the directors above also served as central cinematographers on their projects. Documentary DPs are some of my biggest heroes, but I also respect that independent doc production rarely has a strict hierarchy. Crew members often play multiple roles. And in many cases, the director has played them all, making them invaluable for understanding how their films were shot!