post production

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FiLMiC Pro Version 7 Arrives with a Weekly Subscription—Are the New Features Worth the Cost?

2 months ago by James DeRuvo

filmic pro

post production

mobile filmmaking

James DeRuvo

Made in Frame: 'Devotion' Takes to the Cloud

5 days ago by Sponsored Content

Sponsored Content

How Jabba the Hutt Returned to 'Star Wars: A New Hope' After 20 Years

12 months ago by Yaroslav Altunin

Yaroslav Altunin

The Nuts and Bolts of How to Set Up Your Color Space Correctly in Resolve

6 months ago by Todd Blankenship

Todd Blankenship

How to Make a Movie Poster [With a FREE Movie Credits Template]

4 years ago by Jon Fusco

promotional materials

Jon Fusco

How ‘Love Death + Robots’ Unlocked the Power of Real-Time Animation with Unreal Engine

6 months ago by Jourdan Aldredge

unreal engine

real time animation

love death and robots

post production

Jourdan Aldredge

What We Can Learn from Pixar's 24,000-Core Supercomputer

6 months ago by Todd Blankenship

Todd Blankenship

What the 'Stranger Things’ Pitch Deck Tells Us About Creativity

6 months ago by Toni V. Genov

Toni V. Genov

What Is a LUT? When You Should (and Shouldn't) Use One

2 years ago by Charles Haine

Charles Haine

AI-Powered Audio Features in DaVinci Resolve Can Clean Your Dialogue—Should Sound Mixers Worry?

3 months ago by James DeRuvo

blackmagic design

DaVinci Resolve

fairlight

Artificial Intelligence

ai art

post production

sound

James DeRuvo

Here's What Filmmakers and Colorists Should Know About the New iPad Reference Mode

3 months ago by Charles Haine

Charles Haine

Made in Frame: “Weird: The Al Yankovic Story”

3 weeks ago by Sponsored Content

Sponsored Content

Why I Shot My First Short Film on My Phone and with No Script

4 weeks ago by Guest Author

guest post

directing

smartphone filmmaking

Guest Author

Artlist Max Gives Creators One Place to Get All Their Stock Assets—But Is It Worth the Cost?

2 months ago by James DeRuvo

James DeRuvo

Capture One Adopts Subscription Pricing—Does This Support Creatives or the Bottom Line?

2 months ago by James DeRuvo

James DeRuvo

Does Adobe's Winter Update Make the Subscription Worth the Cost?

2 months ago by James DeRuvo

James DeRuvo

Behind the Edit of 'The Inspection,' an Inspiring True Story of Strength and Camaraderie

2 months ago by Sponsored Content

Sponsored Content

In the Weeds with 'Master Gardener' Editor, Benjamin Rodriguez Jr.

2 months ago by Sponsored Content

Benjamin Rodriguez Jr

Sponsored Content

How 'Devotion' Editor Listens to His Gut Through the Action and the Drama

2 months ago by Alyssa Miller

Alyssa Miller

Give Thanks for These 9 Mind-blowing Tools for Filmmakers

2 months ago by Jason Hellerman

Jason Hellerman

How a Remote-First VFX House Lit Up Amazon’s 'Jungle'

2 months ago by Sponsored Content

Sponsored Content

LumaFusion for Android and ChromeOS—Do Mobile Filmmakers No Longer Need Apple?

3 months ago by Heath McKnight

Heath McKnight

Rebuilding the Story of a Broken Man in Frame.io

3 months ago by Sponsored Content

Sponsored Content

Behind the Curtain of One of Hollywood’s Most Iconic Duos in 'The Last Movie Stars'

3 months ago by Sponsored Content

Sponsored Content

Apple's Premiere Tablet Can't Natively Support Its Own Codec—Is This a Bug or Feature?

3 months ago by James DeRuvo

James DeRuvo

Is the HP Z-Series Studio Display the Affordable Reference Monitor of Your Dreams?

3 months ago by James DeRuvo

Color grading monitor

color grading 10bit 8bit monitor

James DeRuvo

Taking a Trip to the Wild West with 'God's Country' Editor Justin LaForge

3 months ago by Sponsored Content

Sponsored Content

How Olia Oparina Uses Resolve to Craft a Horrific World

3 months ago by Presented By

Presented By

The Wacom Cintiq Pro 27 Touch Display Is So Good, Digital Artists Will Never Go Back to a Mouse

3 months ago by James DeRuvo

James DeRuvo

The Problem with VFX Right Now (And How to Fix It)

3 months ago by Max Perry

vfx artists

visual effects

visual effects artist

Visual Effects Supervisor

Max Perry

Pages

Syncing Separate Audio to RED Video Files in FCP

5 years ago by Gustavo Gonzalez

Gustavo Gonzalez 136

Alex Ferrari

Director / Producer

345

How to Build a Pimp’d Out BlackMagic Cinema Camera Rig on the CHEAP!

6 years ago by Alex Ferrari

cinematography

camera

Blackmagic Cinema Camera

post production workflow

Alex Ferrari

Director / Producer

345

2020 Reel - Blake Vincent Kueny

3 years ago by Blake Vincent Kueny

Blake Vincent Kueny

Partner + Content Director

166

How to Edit RED Raw Footage in FCPX?

5 years ago by Gustavo Gonzalez

Gustavo Gonzalez 136

Hopefully not hopeless no-budget color calibration

7 years ago by Adam Hocutt

Adam Hocutt

total, utter noob

368

Alex Ferrari

Director / Producer

345

Alex Ferrari

Director / Producer

345

Alex Ferrari

Director / Producer

345

Editing my Short Film = Paralysis

7 years ago by Gustavo Gonzalez

Gustavo Gonzalez 136

Production Sound Design/Audio

6 years ago by GFB Productions

GFB Productions 73

Alex Ferrari

Director / Producer

345

Alex Ferrari

Director / Producer

345

Post Production Coordinating

1 year ago by Hellen Thathane

Hellen Thathane

Post Production Coordinator

Free Music to Use for Your Production

3 years ago by Steven Martinho

Steven Martinho

Director

101

EDITING WORKFLOW SERIES: Ep. 01 - Folder Structure (Template)

5 years ago by Ben Gill

Ben Gill

Creative Director at Oxenfree Design

133

Greenscreen vs. Bluescreen for keying

5 years ago by Mike Halak

keying

post production

Mike Halak

Art Director +

185

Short Film Release - Wait for the Bigger Festivals or Go Sooner?

5 years ago by Gustavo Gonzalez

film festivals

short film

post production

Gustavo Gonzalez 136

Advice for post production workspace

5 years ago by Michelangelo Torres

Michelangelo Torres

Filmmaker / Editor / Colorist

What's a good professional Blu-Ray authoring program for Macs.

6 years ago by Richard Jensen

Richard Jensen

Writer/Director

167

Replace a AE-Comp in Premiere-Timeline with an AE-Composition

6 years ago by Miklas Hoffmann

Miklas Hoffmann 86

Correct exposure for post. How far can I over expose with the 6d...?

6 years ago by Caroli Lacruz

Caroli Lacruz 120

Getting the right exposure for post production, working with low-key?

6 years ago by Caroli Lacruz

Caroli Lacruz 120

What do you think about my VFX ?

6 years ago by Tomaz Kovacic

Tomaz Kovacic

Self taught: Director, VFX artist, Editor,...

135

Should I go with a Mac or a PC? (Premiere vs. Final Cut vs. Media Composer)

6 years ago by DiverPino

DiverPino 35

Danielle Jacaman

Communications Director

144

How to replicate this color grading style?

6 years ago by Madison Young

Madison Young 67

FCPX Updated Yesterday

6 years ago by Brad Jones

fcpx

post production

editing

Brad Jones

Director/Producer/Writer/Editor

761

LUT's - Are they Applicable in Corporate Video

6 years ago by Lucas Buckeye

luts

filmmaking

post production

Lucas Buckeye

Future DP :)

Listening Without Watching Movies & The Added Benefit

7 years ago by Lorenzo Morgan Jr.

Lorenzo Morgan Jr.

Chief Creator

129