sundance 2018

How to Make a Documentary About a Subject You're Close To: Steve Loveridge on 'Matangi / Maya / M.I.A.'

4 years ago by Erik Luers

sundance film festival 2018

sundance 2018

Erik Luers

'We the Animals' DP Zak Mulligan's Incredible Advice For Natural Lighting

4 years ago by Emily Buder

We the Animals

Director Of Photography

interview

interviews

sundance 2018

Emily Buder

How One Filmmaker Documented the Hero Journey of the World's Most Successful Female Artist

4 years ago by Oakley Anderson-Moore

Oakley Anderson-Moore

'America to Me': How Oscar Nominee Steve James Made a 10-Hour Collaborative Docuseries

4 years ago by Erik Luers

Erik Luers

A Marriage (and a Divorce) Through Pre-Production: The Unusual Collaboration Behind ‘Loveling’

4 years ago by Oakley Anderson-Moore

Oakley Anderson-Moore

'Minding the Gap': How Bing Liu Turned 12 Years of Skate Footage into the Year's Most Heartfelt Doc

4 years ago by Liz Nord

Liz Nord

'Searching': How the Sundance Digital Thriller Reinvented Filmmaking on a Computer Screen

4 years ago by Emily Buder

Emily Buder

How Jeremiah Zagar Filmed 'We the Animals' with 'Radical Intimacy'

4 years ago by Emily Buder

Emily Buder

'Never Goin' Back': How A New Director Made the Ultimate 21st Century Stoner Comedy

5 years ago by Erik Luers

Erik Luers

'Night Comes On': Jordana Spiro on What to Remember When Making Your First Feature

5 years ago by Erik Luers

Erik Luers

Oscar-Winning Director Morgan Neville: 'Narrative Filmmaking is in a Rut, But Doc is Just Starting'

5 years ago by Emily Buder

Emily Buder

How a New Cinematic Language Was Formed to Film 'Around' a Character in 'A Kid Like Jake'

5 years ago by Erik Luers

Erik Luers

How Cathy Yan's Eccentric First Feature Caught the Eye of the DC Universe

5 years ago by Oakley Anderson-Moore

Oakley Anderson-Moore

‘RBG’: Directors Betsy West and Julie Cohen on Capturing the Life and Legacy of an Icon

5 years ago by Liz Nord

Liz Nord

'The Guilty': The Pulse-Pounding Crime Thriller Set on One Side of a Phone Call

5 years ago by Emily Buder

Emily Buder

'The Cleaners': Inside the Dirtiest and Most Secretive Job on the Internet

5 years ago by Emily Buder

sundance

sundance 2018

Emily Buder

How to Film in the Face of Opposition

5 years ago by Oakley Anderson-Moore

Cody Lucich

Dapl

Dakota Access Pipeline

Oakley Anderson-Moore

How To Use Trends in Filmmaking to Your Advantage

5 years ago by Jon Fusco

Jon Fusco

Why a Documentary Recreated a Town's Dark Past by Casting its Current Residents

5 years ago by Erik Luers

Erik Luers

Why You Need to Stop Making Excuses and Make a Short Film

5 years ago by Oakley Anderson-Moore

sundance

sundance 2018

Oakley Anderson-Moore

‘Madeline’s Madeline’: How Josephine Decker’s ‘Bad Process’ Led to a Great Film

5 years ago by Liz Nord

Liz Nord

'Piercing': How to Cultivate Tone and Style in Your Film

5 years ago by Jon Fusco

Jon Fusco

How to Maintain Your Sanity as Director When Everything Descends Into Chaos

5 years ago by Jon Fusco

the catcher was a spy

ben lewin

Jon Fusco

Catherine Hardwicke, Justin Lin, and Taika Waititi Reveal How They Went from Film Festivals to the Multiplex

5 years ago by Justin Morrow

Justin Morrow

Emmy Winner Rick Rosenthal Dives into the World of Indie Series with 'Halfway There'

5 years ago by Erik Luers

Erik Luers

How Color and Sound Create the Bleak, Icelandic World of Sundance-Winner ‘And Breathe Normally’

5 years ago by Oakley Anderson-Moore

Oakley Anderson-Moore

How Magical Realist '306 Hollywood' Became the First Doc in Sundance's NEXT Section

5 years ago by Oakley Anderson-Moore

sundance

sundance 2018

306 Hollywood

Oakley Anderson-Moore

'Beirut': DP Bjorn Charpentier on Creating the Sundance Spy Thriller's 'Dirty, Dark Look'

5 years ago by Lauretta Prevost

sundance

sundance 2018

Beirut

Lauretta Prevost

Hot, Loud, and Over 200 MPH: How 'The Last Race' Leaves Conventional Storytelling in the Dust

5 years ago by Oakley Anderson-Moore

Oakley Anderson-Moore

A Leaked Sex Video Has Devastating Consequences in Sundance's 'Rust'

5 years ago by Emily Buder

Emily Buder

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